My photography functions as a research method rather than an illustrative add-on. It is a way of thinking with place through light, surface, and duration, using the camera to slow attention and register spaces that are usually treated as background or residue. Below are a series of select photographs that demonstrate this work.

The images focus on infrastructural and ecological traces that resist easy explanation. Rather than documenting or aestheticising these sites, the photographs operate as analytic prompts, working alongside walking and archival research to engage urban waterscapes as active, contested material worlds. These images prompt reflection on the mundane, the abject, and how waters are entangled in complex and messy worlds, but also continue to thrive and sustain.